Writing about poetry is at the same time a difficult and interesting endeavour because it requires complete freedom from the constraints of both form and methodology. Following the rules of traditional theoretical research, writing within the field of poetics often seems pretentious and somehow forced, similar to how aesthetic writing about music, dance or theatrical arts usually considers it impossible to penetrate the unknown ‘creative zone’ and to translate that moment even into simple language, let alone into an academic explanation of something that does not have the power or desire to directly address and contemplate the inexplicable.