“I think documentary is not about confession, but about what it means to confess or to testify. My own position trades on overturning the question, on saying that it is not true that people want the real, that it is not true that they don’t want fiction. Fiction is everywhere. The question is: where do we situate the starting point of fiction? What kind of arrangement makes something happen? In a way, we can say there is fiction whenever there is some kind of narrative that tells, or shows, us that something is happening. That’s why, in my recent work, I have mostly been interested in exploring the edges of fiction, the edge between nothing happens and something happens. I think it is time to dismiss all these suppositions that people are stupid, that they don’t want fiction anymore because they want flesh. They don’t want flesh, they want emotions. The question is what kind emotion is produced by what kind of fiction.”